Believable Characters

I’ve heard there are only a dozen or so stories to write and believe it’s true. You know what I mean, boy meets girl, boy wins girl, boy looses girl, that sort of thing. The ability to retell this limited number of storylines is derived by creating imaginative setting and characters.

So, how is it we create these elusive, yet all-important, characters?

As authors, we’ve all heard the old saw our reader must “identify” with our characters for our stories to fly and our books to fly off the shelves. Yet, despite this sage advice, all this identifying is so very difficult to achieve.

Or is it? Not so much as you might think.

Consider those you appreciate in life. What is it about them that calls to you, makes them interesting or likeable? Now, armed with those thoughts, can you guess what traits your characters require? Yep, those very same characteristic that resonate with you will probably do so with your readers. Personally, I’ve often gravitated to those who color outside the lines, just enough, and my best characters always seem to be those who are a tad irreverent.

Do your friends have a dark side, a weakness, a hidden strength, a freakish mannerism? What is their failing in life? What type of emotions do they possess and what brings those to the fore? What challenges them or excites them?

Once you’ve determined what makes your friends tick, by translating their idiosyncrasies to the page, you’ve got credible characters. They’re believable because they are real.

A cute trick I often use is to mix personalities to create a whole new person. In my newest manuscript, I’ve created a single character with the cross-pollinated personalities of all my siblings. He sort of the priest-who-murders-for-fun type. (Yeah, I did have an interesting childhood…)

You now have all the fundamental tools needed for effective characterization. However, there are a few tricks you can use to enhance your readers’ enjoyment.

Find that universal human experience and put them in it. For example, how do people feel when they lose a love? How about losing a child? (God forbid!) Use this sort of situation to bring their true inner being to life.

Face them with a timeless truth. Is every boss kind and generous? Not a chance! Have them face this type of conflict.

Give him a life-sustaining mantra and kick him in the teeth with it. “Always say something nice or don’t say nothing at all,” is an easy one. Put your character in a situation where there is nothing nice to say. It’s the old fish-out-of-water trick and it’s real effective.

Let your character become a better person. Personal growth is always accepted by your audience and, in fact, necessary for a good story. Let your protagonists learn and people will identify.

Read my previous post for more clues to effective characters.

There are a thousand ways to improve your characterizations, but this is a good start. Take it to heart and you’ll be a better writer for it.

Until my next post, may all your books be best sellers.

C. Patrick Schulze

A New Editing Method?

Good day, Writers,

As many of you know, I’m in the process of sending my manuscript Born to be Brothers to agents for representation. What this means is there have been three people editing this thing a total of ten times from first word to last – my agent twice, my wife twice and me six times. Further, six others did a beta review! (Whew…) That’s sixteen edits!

My wife Kate has supported my writing without hesitation from the first minute and is by far my best cheerleader. (I’ve ordered pom-poms but they’ve yet to arrive.). As I began sending “Born to be Brothers” to agents for representation, Kate made a suggestion. She asked if she shouldn’t read it aloud to me to see if that might improve it even more. After so much editing, even reading it aloud to myself three times, (complete with character accents), I assumed her idea would be of little value. Still, it might be interesting to hear it, after reading it so many times. But edit it again? Nah… It’s been edited to death! Right?

Wrong!

Well, we’re at page forty-two, of four hundred plus, and I’ve already altered the ms thirty seven times! Some alterations were simple synonym insertions while with others entire paragraphs were rewritten.

My point, of course, is Kate enlightened me to an entirely new methodology of editing which is proving invaluable. The upshot in my case was to immediately cease sending Born to be Brothers for agenting. You can bet I’ll be working on it another week or two before I start that oppressive undertaking again.

I do, have a question, though. How among of you knew this and why didn’t anyone tell me?

I do hope my experience has given you yet another tool to improve your writing.

Until my next posting, good writing.

Patrick

New, Interesting Site for Writers

I ran across a new site for writers this afternoon called Publetariat.com.

Once I clicked on the link, however, I had this flashback to my days in Catholic Schools! I thought I was reading one of those newspapers the good nuns warned us about! This place has the whole "Mother Russia" thing going on, but boy it did look like fun.

At first blush, it appears I've found a winner.

Writers should check it out at http://www.publetariat.com/.

Let me know what you think.

Patrick

Love Story by way of The Hero's Journey

Good day, writers,

I promised I'd write a couple stories using The Hero's Journey as the basis for creating a storyline and here is the first installment. Next week I'll post a different type of story based on The Hero's Journey. (Though I have yet to determine what that might be.)

In any case, this exercise is to show how easy it is to write with The Hero's Journey as your model.

Here goes...

The ORDINARY WORLD

Joe and Mindy are in love, married with two children, living in a home in the suburbs of Richmond, VA. The children are Mike, twelve and Mary fourteen. Mike loves baseball and Cindy is just finding out about boys. Joe is a stockbroker and Mindy spends her time raising the children. She’s the president of the PTA and is as happy as she has ever been.

THE CALL TO ADVENTURE

At a PTA meeting Mindy overhears two women talking about Joe. They suddenly quiet when Mindy walks up and act embarrassed at her arrival. They walk away without saying much to her, but the both look back at Mindy over their shoulders and whisper to each other as they depart. Mindy is surprised by their actions but thinks little of it.

REFUSAL OF THE CALL

Joe, usually home around 7 PM, starts to call a few times a week saying he must work late. Some of his excuses sound odd to Mindy but she ignores her intuition which tells her something is wrong.

MENTOR (THE WISE OLD MAN OR WOMAN)

After weeks of his not coming home on time, and another odd encounter with friends, Mindy speaks with her best friend, Margaret, about her concerns. Margaret tells her not to worry until Joe comes home late and the first thing he does in take a shower - a sure sign of infidelity.

CROSSING THE FIRST THRESHOLD

The next night Joe comes home and takes a shower as soon as he enters the house. Mindy now knows the jig is up, (well something is up anyway), and accepts the fact Joe is being unfaithful.

TESTS, ALLIES AND ENEMIES

Mindy and Margaret talk to their friends at the baseball field and PTA but most know nothing. Those who seem to be in the know won’t talk. Mindy hires a detective to follow Joe. He takes photos of Joe’s encounters and passes them to Mindy.

APPROACH TO THE INMOST CAVE

Mindy is distraught but refuses to believe her marriage cannot be saved. She confronts Joe with the photos and he admits everything saying he still loves Mindy and was swayed by a young lady who took advantage of him. He promises never to see the woman again. Though suspicious of his promise, she gives him the benefit of the doubt and they work at patching the holes in their marriage.

THE SUPREME ORDEAL

Things are fine for a time, but soon, Joe is coming home from work late again. A big fight ensues and Mindy kicks Joe out.

REWARD (SEIZING THE SWORD)

Mindy and Joe go through a trying divorce. She gets the children and the house, and the money, and the furniture and he gets the clothes on his back. (They live in Virginia, you know…)

THE ROAD BACK

The divorce is finalized and Mindy realizes she will be able to survive without Joe, physically, emotionally and financially.

RESURRECTION

Mindy finds happiness despite being forced back to work and raising her children on her own. Though things are difficult, she and her children do survive, though without much of their earlier wealth.

RETURN WITH ELIXIR

They live happily ever after.

Everyone except Joe, of course, he remarries a shrew and she sucks every bit of life from him.)

The End

With this outline, you now know how to use The Hero’s Journey to formulate your story. From here you fill in the details and, voila, you’re an author!

Is it time to get to work?

In my next posting, I’ll outline another type of story using The Hero’s Journey. Are there any requests?

Until then, good writing.

Patrick
Author of Born to be Brothers

Return with the Elixir

Hello, writers.

We’ve finally come to the end of The Hero’s Journey, The Return with the Elixir. Our hero is on his way home to his now not so Ordinary World, having defeated every imaginary bad guy in creation. There will be no more conflicts to resolve, no more challenges to face and no more evil-doers with which to contend. In this portion of your manuscript he is the acknowledged hero in both his Ordinary World and the world from which he is emerging. This is where your reader shouts, “Wow! That was great!” and talks to all his friends about your book. (We hope they do anyway, for if they don’t this book is DIW - dead in the water.)

Considering our now familiar Luke Skywalker, think about the celebration after the destruction of the Death Star. He and Han Solo walk up to Princess Leia to receive their medals amidst the adulation of all the rebellion. Everybody smiles and the guy in the white hat rides off into the sunset to great fanfare. Yipee!

We know what happens here, but why does it need to happen this way? Some say it is to wrap things up, finish the circle of your story. (Blah…) Others say it is the representation of life where one must learn to lick their wounds, if you will, and carry on with life. (Give me a break! This is a story!) Some have even said it is to show us how to live our own lives with a sense of responsibility. (Not my fiction…)

We’re writing fiction, right? In my mind, the Return with the Elixir is all about entertaining our reader. Nothing more. It is a reward to your readers for their time spent in reading your story. They deserve to sit back, close the book and feel good. Everything is right with the world and your reader feels the satisfaction of a book well written and enjoyed.

What is this elixir, by the way? It can be anything you wish it to be. Your protagonist may return home with a physical treasure, or knowledge, or love, or wisdom, or whatever he needed to succeed in his quest. It can be anything, as long as it is necessary for your hero to become what he needs to become.

Without doubt, however, what is necessary is for the reader to sit back having enjoyed your work. That is what it’s all about anyway, isn’t it?

Okay, boys and girls, in these twelve postings, we seen how your hero traverses from his Ordinary World into the depths and back. I hope you see how this will make for a good story every time. (Which is what fiction is all about anyway - a good story.)

If you’ll take the time to learn how to use The Hero’s Journey in your fiction, you’ll become a good storyteller and have the primary step under your belt in having people want to read your work.

In subsequent postings I plan to do two things: one is to show how The Hero’s Journey will apply to any type of fiction and, two, to show you how you can ignore large parts of The Hero’s Journey in your writing. (Bet you weren’t expecting that!)

Until my next posting, good writing.

Patrick
Author of “Born to be Brothers”
Twitter.com/CPatrickSchulze