Plot-Driven or Character-Driven Novel?

by C. Patrick Schulze

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First of all, we should understand the difference between the a character-driven novel and a plot-driven novel. A character-driven novel is based upon strong characters with a story built around them. In this case, the characters drive the PLOT. A plot-driven NOVEL is based upon a story with CHARACTERS created to fit the storyline. In effect, the plot drives the characters.

Novels that fit into a genre are most often plot-driven. In genre fiction, the major focus is to accomplish some task such as destroy the bad guy and save everybody else. It's of lesser importance who does this. As a rule of thumb, the hero chooses between a rock and a hard place and his decisions move the story forward. As the story develops, so does the hero.

In character-driven novels, the author creates a hero who's thoughts, emotions and other characteristics drive the story. In contrast to the plot-driven novel, as the character develops, so does the plot. Here, the hero doesn't so much choose between the rock and the hard place as create the rock and the hard place by his personality.

One advantage a character-drive novel has is characters carry endless possibilities within them. Plot does not. In fact, Jim Thompson says, “There is only one plot—things are not as they seem.”

A problem with character-driven novels is they often has weak plots. In contrast, a disadvantage to the plot-driven novel is they often lead to bland characters.

So, which type of novel should you write? A great part of that answer is based upon your personality. If you'll pardon my broad brush, I'll say people who write character-driven novels are often the type who focus on feelings, imagination and creativity, right-brainers, if you will. They steer clear of outlines and have a tendency to write from the cuff. In contrast, I believe plot-driven novelists lean toward the more logical, rational thinkers among us and are left-brainers. They'll outline, draw plot points and all the rest. I think it's similar to the difference between logical thinkers and emotional thinkers. Both types work well, they just use different tools.

So, which type of novel is better? Come on now… you've got an opinion. I know you do. The answer, in my opinion, is neither. I think the best novels have both strong characters and strong plots. I believe your success will improve if you have the ability to weave strong characters and a powerful plot together.

Should you write a plot driven novel with thin characters or a character-driven novel with a thin plot? Neither. If you have a strong plot and weak characters, you have a plot-driven novel with poor characterization. The reverse, of course, is also true. Plot and characterization are not mutually exclusive, any more than are dialogue and character emotions. All aspects of your novel must be woven together for best results.

So, what type of writer are you and how does your writing method hamper your writing?

Until we speak again, know I wish for you only best-sellers.

C. Patrick Schulze

Author of the emerging novel, "Born to be Brothers"

The Secret to Plot in Your Novel

by C. Patrick Schulze

Listen to a PODCAST of this article.

What makes for good fiction? Is it character, PLOT, story, setting, voice, dialogue or some other component of your novel? The answer is PLOT; the story of what happens. Think of it this way. You can find millions of different characters, tens of thousands of settings and about a dozen stories. But as Jim Thompson says, “There is only one plot—things are not as they seem.” What makes your novel stand out is its plot, that series of causes and effects found within your story.

To create a meaningful plot, you need at least one main character who suffers some level of conflict, that inability to achieve what it is he wants. This conflict, his emotional reactions to the obstacles placed before him, is the crux of your plot. It is this inexorable series of obstacles your hero faces, and how he overcomes them, that hooks your readers.

The secret to plot, is that it flows from your characters. The basis of this is your hero's desire for something beyond all else, that is kept from him. This ever-rising tension and conflict or your character's hardships, are what make up your plot.

When you write a story, you create a sequence of events that moves the hero toward what it is he wants. However, your greatest effort should be in your introduction of conflict, those ever larger obstacles and the increasing resistance your hero experiences. You first give him a goal to surpass, then once he completes this task, deny him his desire. Then you have him master a more difficult challenge, then deny him yet again. Do this over, and over, and over again. Of course, the hero will at some point reach his goal, but you must keep it from him as long as the story, and your word count, allow. This constant battle between upheaval and triumph is what develops your plot and engrosses your readers.

Your character's conflict, and thus the plot, may derive from either internal or external sources. Regardless, they thwart his progress until the very end of your novel. We all know external conflict can be exciting, but what can place your novel above others is your hero's internal struggles. Consider this basic storyline. Your hero has a burning desire to become a surgeon, but faints at the sight of blood. Which is the most moving aspect to the character's goals? Is it the struggle to become a doctor or the sight of blood issue? His struggles to master his fear will have the most power with your readers.

In addition to plot, you have a wonderful tool you may employ called "SUBPLOT." That is, each major character is haunted by some minor conflict that further hinders him. This, too, can be internal or external in nature but if used effectively, can give a great deal of life to your novel.

Now for some quotes about plot from those famous among us.

"'The King died and the Queen died' is a story. 'The King died and the Queen died of grief' is a plot." E.M. Forster

“Plots are what the writer sees with.” Eudora Welty

“Plot is structuring the events of the story.” Aristotle

“Character, of course, is the heart of fiction. Plot is there to give the characters something to do.” John Dufresne

“When a character does something, he becomes that character; and it’s the character’s act of doing that becomes your plot.” Henry James

Until we meet again, know I wish for you only best-sellers.

C. Patrick Schulze

Author of the emerging novel, "Born to be Brothers"