I've been doing a bit of research on what else it takes to become a successful author, besides writing novels. In my reading I ran across an idea that made perfect sense to me. This concept is to read widely in your genre. Granted, a simple idea, but one that managed to escape me heretofore.
In that vein, I did something today I haven't done in some 40 or more years. I joined the library and actually checked out a book!
Who says you can't teach an old dog new tricks?
Saturday, August 22, 2009
Friday, August 21, 2009
The Road Back
Good day, Writers.
We’re continuing with our discussion, one-sided though it may be, of The Hero’s Journey where we’ve reached that part of the story where your hero decides to head on home.
This may sound somewhat simple in concept, but as with everything about The Hero’s Journey, there is more here than it seems.
Remember, your hero has fought the great battle, defeated the ultimate enemy, (or has he?), and now holds the great elixir in hand. You’d think things would get simple now, wouldn’t you? A bus ride home and back to everyday living, right?
Wrong.
Your hero is not out of the woods just yet. He knows it is time to return home, but he has yet to navigate that treacherous road for no telling what might happen on the way! He’s carries this great reward with him at all times but there might still be others who want it for themselves. Did the big bad wolf really die? Might your hero encounter others who, now that the big Cahoonah is gone, think they can attain the treasure for themselves? Anything can happen as he tries to return home.
A few things are certain. This is the time when your hero must grow into a better person than he was before his quest began. He needs to realize the value of what he has won and how this great boon should be shared with those in his Ordinary World. He must somehow grow to accept the element of sacrifice he needs to make.
Also, this part of your story often has the best chase scenes, for those who still wish to take the prize from your hero now come after him. Your protagonist might be prime pickings and here come everyone else who wants to wrest the prize from him! (See the chase scene now?) A good scene might go like this, the hero inadvertently brings those stalking him into his Ordinary World and he must again fight to save his home and family. (Good stuff!)
Finally, the hero might not want to return home. What if the locals crowned him king and we all know being king is good. You can see where The Road Home needs some sort of event to push your hero on his homeward path. All of a sudden, The Road Home turns into a conflict between the hero’s head and his heart. He might want to stay, but some force or event forces him on the way.
Keep in mind, like any strong turning point, the action found within The Road Back might alter the direction of your entire story. You, as author, must decide if and how all this happens.
Okay now, we’ve got your hero haven been pushed toward home, more people are chasing him and he’s come to understand he has to fight his way home and share his prize.
Now what?
The Resurrection, what else? More on that next time.
Until then, good writing.
C. Patrick Schulze
Author of "Born to be Brothers"
Twitter.com/CPatrickSchulze
CPatrickSchulze.blogspot.com
We’re continuing with our discussion, one-sided though it may be, of The Hero’s Journey where we’ve reached that part of the story where your hero decides to head on home.
This may sound somewhat simple in concept, but as with everything about The Hero’s Journey, there is more here than it seems.
Remember, your hero has fought the great battle, defeated the ultimate enemy, (or has he?), and now holds the great elixir in hand. You’d think things would get simple now, wouldn’t you? A bus ride home and back to everyday living, right?
Wrong.
Your hero is not out of the woods just yet. He knows it is time to return home, but he has yet to navigate that treacherous road for no telling what might happen on the way! He’s carries this great reward with him at all times but there might still be others who want it for themselves. Did the big bad wolf really die? Might your hero encounter others who, now that the big Cahoonah is gone, think they can attain the treasure for themselves? Anything can happen as he tries to return home.
A few things are certain. This is the time when your hero must grow into a better person than he was before his quest began. He needs to realize the value of what he has won and how this great boon should be shared with those in his Ordinary World. He must somehow grow to accept the element of sacrifice he needs to make.
Also, this part of your story often has the best chase scenes, for those who still wish to take the prize from your hero now come after him. Your protagonist might be prime pickings and here come everyone else who wants to wrest the prize from him! (See the chase scene now?) A good scene might go like this, the hero inadvertently brings those stalking him into his Ordinary World and he must again fight to save his home and family. (Good stuff!)
Finally, the hero might not want to return home. What if the locals crowned him king and we all know being king is good. You can see where The Road Home needs some sort of event to push your hero on his homeward path. All of a sudden, The Road Home turns into a conflict between the hero’s head and his heart. He might want to stay, but some force or event forces him on the way.
Keep in mind, like any strong turning point, the action found within The Road Back might alter the direction of your entire story. You, as author, must decide if and how all this happens.
Okay now, we’ve got your hero haven been pushed toward home, more people are chasing him and he’s come to understand he has to fight his way home and share his prize.
Now what?
The Resurrection, what else? More on that next time.
Until then, good writing.
C. Patrick Schulze
Author of "Born to be Brothers"
Twitter.com/CPatrickSchulze
CPatrickSchulze.blogspot.com
Thursday, August 20, 2009
Interesting Blog for Hopeful Authors
Thanks to Jody Hedlund, (jodyhedlund.blogspot.com), for introducing me to 52weeksofwordage.blogspot.com. Seems this young lady is serious about learning to write and has interesting ways of developing her talents.
Great Blog for Authors
Good day, All.
I recommend few twitter personalities as most as little more than digital mash. However, if you're a writer, I've one which I enjoy. Follow http://twitter.com/mariaschneider and you shall find enlightenment. (Well, maybe not actual enlightenment, but you will garner useful and interesting information.)
I recommend few twitter personalities as most as little more than digital mash. However, if you're a writer, I've one which I enjoy. Follow http://twitter.com/mariaschneider and you shall find enlightenment. (Well, maybe not actual enlightenment, but you will garner useful and interesting information.)
Tuesday, August 18, 2009
Editing Hints
I picked up a new tip on writing dialogue this morning. Of course, it means I have to go back and edit AGAIN... In any case, this came from www.writersreliefblog.com.
When using dialogue tags such as, "She said," or, "He snorted," non-speaking actions are not punctuated as tags and should be treated as separate sentences.
Consider the following example.
"No. I do not want to go with you," she said.
The dialogue is enclosed with quotation marks with the trailing comma within them. "She said," follows to end the sentence.
Now consider,
"No, I do not want to go with you," she snorted.
This should be revised as "She snorted." is not a speaking action. It should be its own sentence. Edited, this should read as follows:
"No. I do not want to go with you." She snorted with disgust.
Learn something new everyday... (Damn editing!)
When using dialogue tags such as, "She said," or, "He snorted," non-speaking actions are not punctuated as tags and should be treated as separate sentences.
Consider the following example.
"No. I do not want to go with you," she said.
The dialogue is enclosed with quotation marks with the trailing comma within them. "She said," follows to end the sentence.
Now consider,
"No, I do not want to go with you," she snorted.
This should be revised as "She snorted." is not a speaking action. It should be its own sentence. Edited, this should read as follows:
"No. I do not want to go with you." She snorted with disgust.
Learn something new everyday... (Damn editing!)
Monday, August 17, 2009
In Need of a Good Agent
Started looking for a new agent today. Way lot of things to consider! Do they accept your type of work? Do they have a track record of substance? If not, what sort of promise do they hold? Are they looking for new authors? What type of books have they sold and do those sales represent your work? Seems like more time on this than the manuscript. I will forge ahead, however, and slay this beast!
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