Showing posts with label write novels. Show all posts
Showing posts with label write novels. Show all posts

Wednesday, November 11, 2009

Tips for Establising Setting in Your Novel

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Setting is that aspect of your novel that gives the readers a sense of place and time. Read Elizabeth Chadwick’s novels and you’ll see she does a wonderful job of putting her readers in the center of a medieval faire, complete with banners, knights, lords and ladies. You’ll almost hear the rumblings of carts over cobblestones. David L. Robbins jams his readers into the center of a gory World War II battlefield where you can just about feel the heat of the bullet as it zips by your head. How is it these and other authors are so adept at placing their readers in the middle of their novels?

They have mastered the art of setting.

To me, setting can be one of the most enjoyable aspects of novel writing. Think of it like this. You get to control the weather, the landscape and even what people wear. Now ain’t that fun? When you learn to effectively construct setting in your writing, you have developed the ability to bring to life not only your characters but the very ground upon which they walk.

So, how does one go about developing a believable setting?

First, let’s consider how it should be used. Author Joanne Reid says, "Setting should be like good wallpaper. It enhances your story, fits perfectly, and does not overwhelm the people in the room."

With that in mind, let’s introduce several aspects to setting which you create to give your readers a full sense of time and place. They are:

1. The geographical location of your story

2. The time in which your story takes place

3. The climate and/or weather in your story

4. The lifestyle of your characters

5. The atmosphere or emotional quality of your story

The geographical location of your novel is wherever you wish it or whatever is necessary to the story. It helps if you are able to write about a place you know, but it’s often more interesting if you create your own world as a backdrop to your manuscript. It is important your setting is as authentic as you can make it for readers can spot a mistake in less time than it took to write it.

The time in which your story takes place is again, whatever you wish or need to tell your tale. The type of story you craft will often dictate the time. The secret is to learn, or imagine as the case may be, as much about the era in which you write. In my case, I write about people involved in the American Civil War. Therefore, I walk the battlefields on which my stories will take place. I study the land, the roads, the natural defensive positions, locations of fences and the like. I seek out those towns with structures that date to the mid-nineteenth century and even photograph them, so as to better understand their architectural aspects. I visit museums where uniforms, dresses and even quilts of the time are exhibited. Then, as I write, all these things assist me in creating a true to life setting for my readers.

Climate is one of my favorite aspects to setting, though many writers forget to use it to its maximum advantage. To me, it offers so much in the way of establishing the mood of a scene. It also gives a writer any number of opportunities to incorporate sound and visual enhancements to their story.

Lifestyle is the day-to-day experiences of your characters. This is an aspect to setting that generally comes out in the story of its own volition. However, the best writers specifically use this as a tool in constructing setting.

Atmosphere is the mood or feeling of your book. It offers your reader the emotional quality of your story. As with all aspects of setting, it can change as the novel progresses.

How do you introduce setting to your readers?

As with any part of your novel, stay clear of info dumps. Bring your setting to the forefront by using all the tools available to you. Employ dialogue, narration, character actions, speech patterns and so on. Be cautious, however, of establishing your setting by lengthy narration for you never want to sound like a travel guide.

How might the author use setting? The major reasons are as follows:

To advance the plot or enhance conflict.

Think of how the setting might disrupt the plans of your antagonist or protagonist. Say your major character is being hunted by an assassin. How might an eclipse allow your hero to escape his intended murder? If your novel is based on a historical battle, how might rolling hills, like those on the Gettysburg Battlefield, influence the outcome?

Setting Creates Consistency within Plots and Subplots.

Your novel will have its plot points and subplots with delicate threads woven through the pages. A consistent setting can keep it all joined together so the reader mentally stays within a comfortable framework.

Use Setting to Enhance Conflict.

Think about a scene with rumbling thunder and stabs of lightning in the inky sky. Does that create more tension, whatever the scene, than say an idyllic spring day in the park? Should you wish to use that tranquil day among the flowers, how about plopping a flock of buzzards in the middle of that field. You think your reader would have a heightened sense of mood as the birds begin to circle overhead? You betcha!

Use it to Illustrate a Character’s Character.

The manner in which your characters speak, dress, move and curse will evoke in your reader a picture of this person. Imagine a dockhand who never utters a profane word. Would that image provide an insight into your character? What if your hero, Paul, always dressed in plaid and carried an ax? Would that be enough to exhibit his character or would he still need a blue ox to complete the picture?

Before I close, I’d like to offer you one last tip as to setting. Employ your readers’ five senses. All authors seem to work in sight and sound by rote, but many aspiring writers miss the other three senses. Ensure your characters also smell, taste and feel their surroundings and your readers will do the same.

Well, there’s your free writing lesson on setting. If you have any questions, please feel free to get in touch.

I wish you success and best-sellers.

C. Patrick Schulze

Wednesday, September 16, 2009

Strange Dream

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I dreamed the first scene of my next manuscript last night.

That is either the start of a disturbing trend or the beginning of a new level of writing in my life.

Personally, I hope the latter...

Tuesday, September 15, 2009

Friday, September 11, 2009

Love Story by way of The Hero's Journey

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Good day, writers,

I promised I'd write a couple stories using The Hero's Journey as the basis for creating a storyline and here is the first installment. Next week I'll post a different type of story based on The Hero's Journey. (Though I have yet to determine what that might be.)

In any case, this exercise is to show how easy it is to write with The Hero's Journey as your model.

Here goes...

The ORDINARY WORLD

Joe and Mindy are in love, married with two children, living in a home in the suburbs of Richmond, VA. The children are Mike, twelve and Mary fourteen. Mike loves baseball and Cindy is just finding out about boys. Joe is a stockbroker and Mindy spends her time raising the children. She’s the president of the PTA and is as happy as she has ever been.

THE CALL TO ADVENTURE

At a PTA meeting Mindy overhears two women talking about Joe. They suddenly quiet when Mindy walks up and act embarrassed at her arrival. They walk away without saying much to her, but the both look back at Mindy over their shoulders and whisper to each other as they depart. Mindy is surprised by their actions but thinks little of it.

REFUSAL OF THE CALL

Joe, usually home around 7 PM, starts to call a few times a week saying he must work late. Some of his excuses sound odd to Mindy but she ignores her intuition which tells her something is wrong.

MENTOR (THE WISE OLD MAN OR WOMAN)

After weeks of his not coming home on time, and another odd encounter with friends, Mindy speaks with her best friend, Margaret, about her concerns. Margaret tells her not to worry until Joe comes home late and the first thing he does in take a shower - a sure sign of infidelity.

CROSSING THE FIRST THRESHOLD

The next night Joe comes home and takes a shower as soon as he enters the house. Mindy now knows the jig is up, (well something is up anyway), and accepts the fact Joe is being unfaithful.

TESTS, ALLIES AND ENEMIES

Mindy and Margaret talk to their friends at the baseball field and PTA but most know nothing. Those who seem to be in the know won’t talk. Mindy hires a detective to follow Joe. He takes photos of Joe’s encounters and passes them to Mindy.

APPROACH TO THE INMOST CAVE

Mindy is distraught but refuses to believe her marriage cannot be saved. She confronts Joe with the photos and he admits everything saying he still loves Mindy and was swayed by a young lady who took advantage of him. He promises never to see the woman again. Though suspicious of his promise, she gives him the benefit of the doubt and they work at patching the holes in their marriage.

THE SUPREME ORDEAL

Things are fine for a time, but soon, Joe is coming home from work late again. A big fight ensues and Mindy kicks Joe out.

REWARD (SEIZING THE SWORD)

Mindy and Joe go through a trying divorce. She gets the children and the house, and the money, and the furniture and he gets the clothes on his back. (They live in Virginia, you know…)

THE ROAD BACK

The divorce is finalized and Mindy realizes she will be able to survive without Joe, physically, emotionally and financially.

RESURRECTION

Mindy finds happiness despite being forced back to work and raising her children on her own. Though things are difficult, she and her children do survive, though without much of their earlier wealth.

RETURN WITH ELIXIR

They live happily ever after.

Everyone except Joe, of course, he remarries a shrew and she sucks every bit of life from him.)

The End

With this outline, you now know how to use The Hero’s Journey to formulate your story. From here you fill in the details and, voila, you’re an author!

Is it time to get to work?

In my next posting, I’ll outline another type of story using The Hero’s Journey. Are there any requests?

Until then, good writing.

Patrick
Author of Born to be Brothers

Wednesday, September 9, 2009

Should Authors Be Political?

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Good question brought up by Alice Tasman on Twitter.

My personal thought are you'll distance yourself from 50% of your market with a few words in this politically charged time.

Try this out for size... "Hey, I think everything you stand for is silly. Wanna' buy my book?"

Keep to writing.

My marketing advice? Save your politics for behind closed doors.

Friday, August 28, 2009

Writing a Page Turner

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Writing a Page Turner
by Jennifer Minar

Found this at the above link. If you read this woman's article, you'll see how well The Hero's Journey melds with her advice.

Patrick

The Resurrection

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Good day, Writers,

We’re almost home with our study of The Hero’s Journey and find ourselves facing The Resurrection, which many think is the uplifting section of a story. Of course, that isn’t true. The Resurrection is one last another opportunity for action and suspense within your story. This part of your novel is the last life-or-death struggle for your hero, yet another confrontation with the evil ones. In fact, it is often the protagonists’ most dangerous meeting with death, or whatever it is he faces.

In many stories, this section takes place just before he returns home. It’s often considered a cleansing or purification to which your hero must submit before returning to his Ordinary World. However, the hero now has an additional arrow in his quiver, so to speak, for he is now armed with the hard-won knowledge gained from earlier encounters. It is here your hero pulls out that new arrow and smites this final aggressor, thus proving his acceptance of The Reward and his worthiness of ownership.

Sometimes the hero is pushed toward The Resurrection or even pulled, but regardless, the enemy has one last attempt to undo your hero, a final exam, if you will. One in which he proves he has learned and can apply the lessons of The Supreme Ordeal.

It is similar to The Supreme Ordeal faced earlier. Often more than just the hero is involved in this ordeal. Maybe his entire village is in danger, for one final challenger arises and he is forced to use the knowledge he gained during his trial to save more than just himself.

To me as a writer, it is one last opportunity to excite your readers when they least expect it.

Although we are using Luke and The Last Hope of the Star Wars saga as our model, I’ve always liked The Resurrection in Under the Tuscan Sun. The heroine does not hear from THE man in her life for a while so she travels to see him. It is in this part of that story where she finds she is not THE woman in his life, but merely A woman. (Talk about a trial!) So what does she do? She marshals all she has learned and falls in love with another man. Great Resurrection, don’t you think?

In Luke’s case, he’s already accomplished his mission of saving Princess Leia, but his final test is defeating the Death Star. In this scene, Luke is attacking in his X-Wing fighter and Obi Wan speaks to him from the afterlife. He tells Luke to, “Trust the Force.” Luke does, thus employing all his learning and experience, and destroys the Death Star and the Emperor to boot.

You see in this scene, Luke has garnered all he has learned, proved himself worthy of The Reward, destroys the REALLY BIG enemy and saves untold thousands in the process. (Explosions of a planetary scale! Now that is a dramatic Resurrection!)

In doing my research for this posting, one person said this was a time of peace and tranquility before he returns to his doorstep. Don’t believe it! This is a time of great, often ultimate, challenges. It’s a wonderful opportunity to again engage your readers and prove your hero worthy. Take advantage of this. You want your readers to be surprised by this and so entwined in your hero’s trial they almost lose heart for him. Use this time to ramp up the intensity of your work and have your readers sweat one last time.

Okay, we again have the bad guys’ defeat and our hero rises even higher in status and proves he is worthy of The Reward. Now, after your reader has caught his breath, you let them relax and feel good about everything. This is accomplished by way of The Return. We’ll get into that next week.

My plan is to finish with these lessons of The Hero’s Journey then outline a couple quick stories showing how to put this entire concept in use. (Wish me luck on that one…)
Until then, my friends, good writing.

C. Patrick Schulze
Author of Born to be Brothers

CPatrickSchulze.blogspot.com
Twitter.com/CPatrickSchulze

Tuesday, August 25, 2009

Top Ten Writing Tips

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Clink the title to reach the web site.

You'll note this post actually tells you what it means to eliminate all forms of "to be"...

Thanks to Examiner.com for this information.

Interesting New Trend in Hardbacks

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Want to see what the future holds for book readers? Follow the link!

Thanks to http://twitter.com/mariaschneider for the info.

Monday, August 24, 2009

The Secret to His Success? A Platform.

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Good day, Writers,

I'm working the Internet this morning, trying to continue my self-education on how to find a new agent and ran across this web page:

http://www.guidetoliteraryagents.com/blog/How+I+Got+My+Agent+Billy+Coffey.aspx

Thought some of you might find it interesting.

Patrick

Friday, August 21, 2009

The Road Back

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Good day, Writers.

We’re continuing with our discussion, one-sided though it may be, of The Hero’s Journey where we’ve reached that part of the story where your hero decides to head on home.

This may sound somewhat simple in concept, but as with everything about The Hero’s Journey, there is more here than it seems.

Remember, your hero has fought the great battle, defeated the ultimate enemy, (or has he?), and now holds the great elixir in hand. You’d think things would get simple now, wouldn’t you? A bus ride home and back to everyday living, right?

Wrong.

Your hero is not out of the woods just yet. He knows it is time to return home, but he has yet to navigate that treacherous road for no telling what might happen on the way! He’s carries this great reward with him at all times but there might still be others who want it for themselves. Did the big bad wolf really die? Might your hero encounter others who, now that the big Cahoonah is gone, think they can attain the treasure for themselves? Anything can happen as he tries to return home.

A few things are certain. This is the time when your hero must grow into a better person than he was before his quest began. He needs to realize the value of what he has won and how this great boon should be shared with those in his Ordinary World. He must somehow grow to accept the element of sacrifice he needs to make.

Also, this part of your story often has the best chase scenes, for those who still wish to take the prize from your hero now come after him. Your protagonist might be prime pickings and here come everyone else who wants to wrest the prize from him! (See the chase scene now?) A good scene might go like this, the hero inadvertently brings those stalking him into his Ordinary World and he must again fight to save his home and family. (Good stuff!)

Finally, the hero might not want to return home. What if the locals crowned him king and we all know being king is good. You can see where The Road Home needs some sort of event to push your hero on his homeward path. All of a sudden, The Road Home turns into a conflict between the hero’s head and his heart. He might want to stay, but some force or event forces him on the way.

Keep in mind, like any strong turning point, the action found within The Road Back might alter the direction of your entire story. You, as author, must decide if and how all this happens.

Okay now, we’ve got your hero haven been pushed toward home, more people are chasing him and he’s come to understand he has to fight his way home and share his prize.

Now what?

The Resurrection, what else? More on that next time.

Until then, good writing.

C. Patrick Schulze
Author of "Born to be Brothers"

Twitter.com/CPatrickSchulze
CPatrickSchulze.blogspot.com

Friday, August 7, 2009

The Supreme Ordeal

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Good day, Writers,

We are continuing with our explanation of The Hero’s Journey as a method of storytelling.

Today we’ll discuss The Supreme Ordeal, which should be the most exciting part of your story for your hero and your reader. It is where the hero faces that most difficult of tasks around which your story revolves. Here he meets the great beast and slays it. Your readers should not be able to set your book aside until this section of your novel is complete, after which they should sit back, take a deep breath and scream, “Wow!” (And then tell everyone they know!)

This beast need not be a creature with horns and blood-soaked fur. Neither need it be an alien with thrashing tentacles and/or menacing, retractable teeth. (Although we all know those creatures work quite well.) The beast can be anything that causes your hero extreme fear.

Could an honorable man who loves his family be the beast? You bet! He can be If he dies leaving his family penniless and hungry. (And as long that situation has the same fear for your readers!) Can a loving daughter who goes away to university be the beast? Sure, if her mother is left alone in the world. So, don’t think of your hero only as a muscle bound warrior that crushes some mythological creature from the underworld. The beast is anything that is supremely fearsome to your hero and, more importantly, your readers.

Now that we know what The Supreme Ordeal needs to be, what is its purpose? First and foremost in my mind, The Supreme Ordeal changes your hero. It takes the flawed person he was and transforms him to the person he needs to be.

For example, we’ll again call on Luke of Star Wars to enlighten us. Where in that story did Luke experience his supreme ordeal? It is when he rescues Princess Leia.

How did all the excitement involved with rescuing her change Luke? He went from an orphaned farmer to a masterful Jedi. Pretty serious change, don’t you think?

Why else might you, as a storyteller, need an effective ordeal for your hero? One of the most important aspects is to engage your reader. Have you ever stopped watching a movie or set down a book and never finished it? Why would you do that? Because, for whatever reason, you were not engaged with the story or the hero. The instant your reader decides not to continue with your novel, you’ll lose your word of mouth advertising - your buzz. Your novel will almost never go viral with poor buzz.

Are there other goals to accomplish with The Supreme Ordeal? Of course. It can’t be that simple, now can it?

As a writer, you need to give your audience a feeling of exhilaration upon conclusion of The Supreme Ordeal. They’ve come accustomed to that feeling and are expectant of it. They want to think he will not succeed, in fact, may even die! They want your hero to slip and fall. They want him to get up, too, but first, they need to be convinced he will fail. That emotion is what they want, and you must give it to them. If you do not engage your audience emotionally, your buzz, and your book, are dead in the water. An old maxim in business, (and you are in the business of writing), is to give them what they want to buy. I recommend you do just that.

In my next post, we’ll discuss what happens after your hero survives. That part of the story is called, “The Reward.” Until then, good writing.

Patrick
Author of Born to be Brothers
CPatrickSchulze.blogspot.com
Twitter.com/CPatrickSchulze

Saturday, July 25, 2009

Tests, Allies and Enemies

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Good day, All,

We’re working toward telling our novel’s storyline by way of The Hero’s Journey, a formula for storytelling that has survived the millennia. In our case, we’re following Luke of Star Wars fame. We’ve followed him through his Ordinary World, watched as he receives his Call to Adventure and shook our heads when he made excuses to Refuse the Call. After that, he Met his Mentor then Crossed the Threshold to his new adventure.

The next section, Tests, Allies and Enemies, is one of the most intricate to develop and one of the most critical to your story. It can also be the longest. Here is where you flesh out your character and where he transforms to the true hero he needs to become. It shows your reader his true inner strength. However, it must be done in a way that keeps your reader connected with him. If your hero shows personality traits your readers dislike, they close the book. Here we also give the reader the exciting part of the story, those things that test your hero. This part of your novel also introduces more of those people, creatures and situations that assist your hero in completing his quest.

Okay, here are a few tips for writing this part of your story. First, consider the Rule of Threes. (“Huh?” You say.) As in so many things in life, threes work well with readers. By this I mean the story will do well to have the hero face three major tests, find three important allies and encounter three premier enemies. The Rule of Threes need not be followed, but it is a great concept if you’re new to storytelling. I don’t know why, but threes do seem to work.

Another hint is to have your hero encounter a simple test or two early on so he can grow into his new, more dramatic self in realistic fashion. You don’t want someone with a fear of heights to go over Niagara Falls in a barrel in chapter two. He has yet to build the necessary courage and knowledge. Instead, maybe he climbs a tree and freezes half way to the top. He falls and survives, thus learning a valuable lesson he needs to go over the falls. That’s the sort of thing I mean for your readers will not believe he goes over on purpose without first accumulating a bit of knowledge. Your reader also needs to know who your hero will react to various situations. If he fell over Niagara Falls right away, he’s going down screaming like a little girl, yet maybe only a yelp escapes him as he falls out of the tree. By the time he goes over Niagara, he’s able to hold his tongue and only moan a bit. Smaller tests help him to learn how to grow into the larger, more sinister tests.

A third tip, and a classic tip, is to use the seedy bar or nightclub as the setting. Of course, you can use any setting, but like the Rule of Threes, this seems to work. In my second book, “Pretty Boy and the Bugler” I used a saloon and it worked out quite well.

My fourth and final tip is to consider having the hero falter as he faces his initial tests. Again, this isn’t necessary but can lead to more excitement. If he does waver, how might he overcome? Ah, it’s good to have allies!

Okay, let’s take our regular look at Luke as he meets his Tests, Allies and Enemies.

Review the third tip above and you’ll see a seedy bar is a good place to begin. Well, remember the famous bar scene in Star Wars, A New Hope? What happened there? Luke confronted enemies, (the storm troopers, the creature who wanted to fight him), was tested, (he didn’t step down from the fight even though he would’ve lost), and he met two major allies, (Han and Chewbacca).

So, there you have it, Tests, Allies and Enemies. It was an interesting scene, wasn’t it? In fact, it was so interesting, it’s now classic of its own right. That is how important Tests, Allies and Enemies can be.

Keep in mind there may be more, many more, of these people and events in your story. For example, does Luke meet other allies? Sure he does. How about Yoda and the guy in charge of the cloud mining operation, (I don’t remember his name.). Does he meet other enemies? You betcha! He even meets someone who presents himself as an ally, (the cloud city guy), turns out to be an enemy, (he turns the band over to the Darth Vader), and an ally again. This guy even ends up a Rebellion general! Whew… what a roller coaster ride he is! By the way, this type of character is called a Shape-Shifter – something we’ll get into later.

Don’t think of this part of your story as done with a single scene for there should be many to build the excitement for your readers. Does Luke face other tests? How about the fight with Vader? He had a million tests as the story progresses. Does he meet other allies? Yoda is a perfect example. And talk about learning and growing! Yoda makes the guy hump around the planet with the Jedi on his back! It goes on and on.

So there you have it, Tests, Allies and Enemies. Make ‘em real, make ‘em scary and make a lot of ‘em.

Until we get together again, good writing.

Patrick

Twitter.com/CPatrickSchulze

Author of: Born to be Brothers

Sunday, June 28, 2009

The Perils of Dates.

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Good day, all,

Boy, oh, boy... the power of a dates! As those who follow this blog know, I am in the midst of writing my third manuscript and recently received it back from my editor. (And, yes, she again taught me the need for humility...)

In any case, as I was going through her edits, it struck me one of the dates in my novel could be incorrect. Was it ever! I had Texas as part of the United States in 1822 when it didn't even break away from Mexico until 1835, a decade before it was admitted into the Union.

Now this sounds like a little thing, I know, but it means a total rewrite of some 3,000 words and two characters. Oh, yeah, and any references to this throughout the entire novel. To one like me, this is a daunting task.

I mentioned this to a buddy and he said, "Ah, does it matter? Isn't a novel just one big lie anyway?" Oh, did I ever try to find solace in those words. But, no, if you're writing historical fiction, you've got to get the history part right.

Is there a lesson here? As with all things, of course there is. Edit, then edit some more and edit again. (Of course, you could just get it right the first time, but who does that?)

Back to the keyboard for me...

Okay, keep your eyes open and good writing.

By the way, here's a tidbit for your next cocktail party. (If anyone else is so old as to remember them.) Texas is the only state in the Union that flew six different national flags in its history; the United States, the Republic of Texas, Mexico, Spain, France and one other I can't remember right now.

Thursday, May 28, 2009

How to write a novel.

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Good day, All.

Today's post will touch on how writers insure their novel is written in such a fashion as to appeal to their readers regardless the audience. The answer, as is so often the case, is simple, yet the application is difficult.

When someone wishes to write a novel, there is an actual formula to telling the story. This formula, known as the Hero's Journey, has been around since the time of mythology and will last well past the day we all cease telling stories. In fact, this is the framework around which any novel can be built. I recommend all new writers follow it when they are new to novel writing. (And long after...)

The Hero's Journey is often defined by different "authorities" in different ways, but the one I have found useful has twelve steps to follow. They are...

1. Ordinary Life
2. Call to Adventure
3. Refusal of the Call
4. Meeting the Mentor
5. Crossing the Threshold
6. Enemies, Allies and Tests
7. Point of No Return
8. Supreme Ordeal
9. Reward
10. Journey Home
11. Resurrection
12. Return Home

Although we'll go into each one of these steps in more detail, they are basically self-explanatory. In general, if the hero in your story finds himself involved in these twelve situations, your story will be defined and should appeal to almost any reader.

To get started, think of a favorite movie. Now follow the storyline and see if the primary character finds himself in the situations listed above. I'll bet you will. Once you can identify the steps within The Hero's Journey in, say a movie, you'll begin to understand how to apply them to your novel writing.

Star Wars is always a good example for any aspiring writer. Think of the episode where Luke's parents are killed. Remember it? If you recall the beginning of the story, Luke is working the farm but asks permission to strike out on his own. Can you see that scene in your mind's eye? That scene is Ordinary Life, which is step one in The Hero's Journey. Now, here's a clue... If Spielberg can use the Hero's Journey, so can you and I.

In my next post, we'll discuss step one, Ordinary Life, in more detail.

Good writing.

Patrick

Tuesday, May 26, 2009

Welcome to all Novel Writers!

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Good day and welcome to my blog.

In this writer's blog, I hope to assist aspiring novel writers, (and even some old hands), gain more knowledge and confidence with their craft and to help insure success with their
fiction writing . In this vein, I will offer various novel writing lessons.

These lessons will include such things as how to get that story hiding within you onto paper, which is still necessary despite the technology of the day. This also means learning how to tell a story well, which many find more difficult that they imagined. Further, we as writers face the daunting task of learning the craft of writing, and all that entails. (Boy do I have stories there...) Then, of course, you need to know how to edit, then edit again and edit a few more times before offering it to a discriminating agent or publisher for critique. I also wish to help those pen pushers with the process of formal publication and the myriad of issues with that minefield.(Ah, the all-powerful Slush Pile!)

I'll post the lessons weekly so visit regularly.

The first lesson will be How to Tell Your Story.

Okay, I'll ask you to speak with anyone you know who might have an interest in writing the next Great American Novel to come on board and see if we can't help get them published!

Thanks.

Patrick